Tag Archives: publishing advice

The Blog is Open to Questions on Writing & Publishing Today!


Post questions in the comments section about writing or publishing. Make it something general, not specific to me (i.e. not about my interests as an agent, not when I’ll open to submissions again, not my query guidelines). I’ll be answering all day (10/19/15). (I’m all done now…)


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Guest Post: Chuck Sambuchino Shares What 12 Debut Authors Did RIGHT On Their Journeys to Publication

Hey! My buddy Chuck is stepping in to guest blog! Check it out…

three covers

_ Chuck headshot biggerChuck Sambuchino (@chucksambuchino) of Writer’s Digest Books edits the GUIDE TO LITERARY AGENTS and the CHILDREN’S WRITER’S & ILLUSTRATOR’S MARKET. His Guide to Literary Agents Blog is one of the largest blogs in publishing. His 2010 humor book, HOW TO SURVIVE A GARDEN GNOME ATTACK, was optioned by Sony Pictures. His latest humor book, WHEN CLOWNS ATTACK: A SURVIVAL GUIDE (Sept. 29 2015), will protect people everywhere from malicious bozos and jokers who haunt our lives. His books have been mentioned in Reader’s Digest, USA Today, the New York Times, The Huffington Post, Variety, New York Magazine, and more.

I love interviewing debut authors. I interview them for my Guide to Literary Agents Blog, and make sure to include at least a dozen such interviews in each edition of the Guide to Literary Agents, such as the new 2016 edition. These interviews are very helpful to aspiring writers, because the authors come clean about what they believe they did right, what the wish they would have done different, and other advice for writers.

So I went back to 12 debut author interviews of the past few years and focused on one single important question I asked them: “What did you do RIGHT on your journey to publication that others can learn from?”

The results are inspiring and fascinating. See below, and learn from 12 writers who have come before you and succeeded.

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“I was very specific on who I queried to get as my agent. It’s quality over quantity and I only queried agents who I thought would truly get my story. I also think being open to critique and feedback is vital. Most authors who go on submission will get rejections. Being open to hearing the why, and working on it, is vital.”

– Aisha Saeed, author of Written in the Stars

“I didn’t put the books out there until they were ready to be seen. Really ready. These days there’s such a huge rush to get your writing out there as soon as possible, and there are lots of systems in place to let you. I could write something in the morning and have it for sale on Amazon that night. And because of this rush and these systems, a lot of people put stuff out there before it’s ready, or before they’re ready. No one expects to win Olympic gold their first time in a gym, but lots of people seem to think their first attempt at a first draft should be a mass success and acknowledged by a major publisher. I spent years learning how to write and how to tell a story, and I think I’m fortunate that during a lot of that time there weren’t any of these quick, easy avenues. I wanted to tell the best story I could, and I spent the time to make sure it was. I rewrote and edited the hell out of it before I submitted it.”

Peter Clines, author of Ex-Heroes

“I didn’t give up. I queried widely. Widely. Like more than 100 queries. I was getting a good number of requests, but the partials and fulls would keep getting rejected, for different reasons. I felt like I should quit—shelve the project and start on something new—but this was the book I loved and wanted to debut with, so I kept researching and kept querying. In the end, I got two offers of representation, and it was worth all those horrible months in the querying trenches.”

Katie M. Stout, author of Hello, I Love You: A Novel

“I just never quit. A successful writer friend recently told me that’s the only difference between a published writer and someone who used to/wanted to be a writer. And certainly, my fifteen years as an independent bookseller has helped—giving me contacts in the industry, a working knowledge of the market, and daily interaction with the audience.”

– Jamie Kornegay, author of Soil

“I joined a critique group. Getting honest feedback about your story is vital to its success. I read, and then dismiss many of the ideas suggested by my critique group members, but some of the changes I have made based on those amazing writer-friends have made all the difference in the world.”

– Marcia Berneger, author of Buster the Little Garbage Truck

“I tried to treat writing and publishing like a career, even when it couldn’t even pay for a coffee. That meant being serious about my efforts, investing in ways to improve my craft, and approaching other publishing professionals with courtesy and respect. I also always tried to remember that publishing is a long game—getting rejected or having to put a novel aside doesn’t mean inevitable failure, only that it’s not the right project at this moment, for this market.”

– Karina Sumner-Smith, author of Radiant: Towers Trilogy Book 1

“I never gave up and I kept moving forward instead of stalling out on a single story. I’d finish a manuscript, send out queries, and immediately start writing something new. When I had the next manuscript finished and polished, I put the older one in a digital drawer and started to query the new one. Wash, rinse, repeat. If I’d spent all those years revising my very first story, I never would have improved enough to write a mystery novel like Claws of the Cat. It’s hard to put 100,000 words in a drawer. It hurts to let years of effort go. But if I hadn’t kept moving forward, I wouldn’t be the author I am today.

– Susan Spann, author of Claws of the Cat: A Shinobi Mystery

“I read a lot. I also sought out other writers online—forums, blogs, social media—and read as much as I could about the writing process and, later, the publishing industry. Information is power! But really, I just wrote my heart out. Whenever I sat down to draft a new story or revise an old one, I would think, You can do better.”

– Claire Kells, author of Girl Underwater

“I revised the heck out of my book so that by the time I sent it in, it was in good shape. I also did a ton of agent research before I began querying. I figured out what my comps were and which agents were looking for what. I read the ‘Successful Queries’ series on the Guide to Literary Agents Blog, as well as the Query Shark’s entire archive of letters.”

Sabaa Tahir, author of An Ember in the Ashes

“I asked for help from the people with experience. It took many years, believe it or not, for me just to reach out and say, ‘I’m not sure what to do from here.’ That solicitation is what led to my first book contract.”

Elizabeth Kiem, author of Dancer, Daughter, Traitor, Spy

“I started as a book blogger, and that really helped me get to know the business of publishing. What books were coming out, how authors were marketing, etc.”

– Lindsey Cummings, author of The Murder Complex

“It sounds like a cliché but just taking the initiative is probably the biggest factor that allowed me to succeed. I’m pretty sure there are plenty of journalists out there who are way more talented than myself and who want to write books. But many of them don’t take the risk and actually do the damn thing.”

– Thomas Lee, author of Rebuilding Empires: How Best Buy and Other Retailers are Transforming and Competing in the Digital Age of Retailing


September 2015 sees the release of three of Chuck’s new books, the 2016 Guide to Literary Agents, the 2016 Children’s Writer’s & Illustrator’s Market, and his anti-clown humor book When Clowns Attack: A Survival Guide. If you’d like to win one of Chuck’s books, post a comment before noon (Eastern Time) on October 12th. One commenter will be picked at random. Must live within US/Canada to receive a print book. Outside North America may receive a PDF ebook. Beware clowns.

Our book give-away winner is Allison Baxter! Thanks for commenting, Allison! 



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Guest Blogger Natasha Sinel: Tips for Debut Authors

imagesMy debut YA novel, THE FIX, is in bookstores now. The official publication date is tomorrow, and I thought I’d share some of the things I’ve learned this past year, as I’ve gotten ready to become a published author.Fix-cover-final

Join a debut author group. Promote other authors’ works.

Do not underestimate the importance of connecting with others who are traveling the same road as you. You advise each other on tactics that work and don’t work, you vent and commiserate, you celebrate.

Also, read books by your fellow debuts. Compliment their books online if you liked them. Email the author and tell him/her the parts you loved. It doesn’t cost anything and it can make someone else’s day. Of course it’s a competitive business, but someone else’s success does not equal your failure. If you need more of a reason to do this, then you can consider it good karma.

Spending money to promote your book is inevitable.

You may have thought that you could collect your advance and put the whole thing in the bank. For a lucky few debut authors, that might be the case, however, for the rest of us, you’ll be spending some (or all) of that money on book-related things—professional author photos, marketing materials, an outside publicist, perhaps. You probably shouldn’t quit your day job just yet.

Know that you will become jaded.

There are many unexciting things that must be done for the launch of a book. Things you’d expect like revising, editing, copy-editing. But also so much more: social media, blog posts, self-promotion, postcards to libraries, bookmarks. ARCs. Planning launch parties. Media. Bookstores. So. Much. To. Do. Your list of things will be endless. It will be very easy to forget that publishing a book is actually the thing you’ve always wanted—a dream come true. Try to remember that every now and then. Also, write another book.

Friends and family will be excited and proud and they’ll say amazing things to you. Some people might also say insensitive things.

As jaded as you may be by the publishing process (see #3), your friends and family are not. They truly believe that what you’ve done is an amazing thing. Your book is going to be on shelves. And they know you. That’s pretty cool. When it comes to insensitive comments (and they will come), remember that people say dumb stuff all the time when they don’t know how something works—you do it too. Try not to get too upset with them—most of them are not hurt you intentionally (it’s possible that some are, but try to chalk that up to jealousy).

If your book is on a top ten list, featured at a major conference, or receives a starred review, you might feel pretty amazing, but you probably won’t. But if your book is not on a top ten list, not featured at a major conference, doesn’t receive a starred review (or receives a negative review), you will definitely feel horrible.

This phenomenon is something I’ve labeled the “numb overcoat.” It’s a big, puffy, toasty warm, comfy overcoat. It protects you from the bad stuff—the snarky, cruel reviews, the inferiority complex when you’re not included at the “cool table”—made up of authors on best-of lists or those have top-priority books at your publisher. However, if you keep the overcoat on all the time, you’ll miss out on feeling the wonderful moments—holding your hardcover book for the first time, the positive thoughtful review, the outpouring of pride from your friends and family. This is a tough thing to learn, but practice taking off your overcoat so you can feel the good stuff.

Most people won’t understand how much work it takes.

They may think that now that you have a book published, you’ve “made it.” Maybe you even thought that. But you haven’t made it. It’s true that you’re now a legit author. You don’t have to worry so much anymore that people think you’re just pretending to be a writer while you sit in your pjs watching TV. But legit isn’t the end game. You need to write the next book. And the next. And so on.

Separate writing from the publishing of writing.

You love writing. It makes you feel alive. Remember when you first started writing it was for you and only you? It still is. That publishing stuff is separate. Go back to writing.

Natasha SinelNatasha Sinel writes YA fiction from her home on a dirt road in Northern Westchester, NY. She drives her kids around all afternoon, but in her head, she’s still in high school, and hopes that no one near her can read minds. Her debut YA novel THE FIX comes out from Sky Pony Press tomorrow, September 1, 2015. You can buy one here.


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