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New Look for The Jennifer DeChiara Literary Agency!

I am very pleased and proud to direct you all to my agency’s new website jdlit.com! We’ve got a new online look but (of course!) we’re still pretty in pink. Please note that not all of my clients are listed on the website since the agency has over 200 clients. To see who I represent, go to my Client page over here or click on the links to their individual websites and blogs in the sidebar.

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Quick Questions: An Interview With Editor Stacey Barney

staceybarneyphoto (1)For our first Quick Questions interview of the year, we’re talking to Stacey Barney, Senior Editor at Penguin/Putnam Books for Young Readers. Stacey acquires a wide range of middle grade and young adult fiction and select nonfiction and picture books. She has edited 2013 Coretta Scott King Honor-winning, Ellen’s Broom by Kelly Starling Lyons and illustrated by Daniel Minter; Kristin Levine’s award-winning The Lions of Little Rock; Tara Sullivan’s Golden Boy, a YALSA Top Ten Best Book for Young Adults; Boys, Girls & Other Hazardous Materials by Rosalind Wiseman, NYT bestselling author of Queen Bees and Wannabes, the book that inspired Mean Girls; the NYT bestselling Ask Elizabeth by accomplished actress Elizabeth Berkley; award-winning Sparrow Road by Sheila O’Connor and most recently The Secret Hum of a Daisy by Tracy Holczer and Firebird by American Ballet Theatre Soloist Misty Copeland and Caldecott Honoree Christopher Myers. Forthcoming titles include The Wrath and the Dawn, a sumptuous YA retelling of Arabian Nights and Unlocking the Truth, the inspiring memoir of Brooklyn-bred, teen heavy metal band ‘Unlocking the Truth.’ Stacey is looking for contemporary realistic literary middle grade and literary/commercial YA.

And now, to our questions!

1. What book has come out in the past year that you wish you’d been the editor on? Why?
Dorothy Must Die. It was one of the most inventive and compelling reads for me this year.
2. What’s something you’d like to tell aspiring authors, that perhaps they haven’t yet heard from anyone?
I don’t know if there’s anything new under the sun, but I guess that patience and perseverance pays off. Just be sure to hone your craft along the way.
3. If you could travel back in time for one day, where would you go, what would you do, who would you hang out with?
I’d go to James Baldwin’s home in France and sit with him awhile just sharing the quiet.
4. If you won 50 million dollars, what would you do? Would you still work in publishing?
I’d travel the world–first spending some time exploring the continent of Africa–and reading.
5. What’s currently on your manuscript wish list? What’s definitely not on the list?
The unexpected. I  don’t have anything that’s specifically not on my list. Otherwise, how would I find the unexpected? ;-)
Thanks for participating, Stacey!

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What I’m looking for in 2015

This is always such a difficult post to write, trying to encapsulate in a blog post “what I’m looking for” in a manuscript. Six months from now I might feel differently. I might even feel differently right after I hit the “publish” button on this blog post. I fear that what I’m looking for comes out of an amorphous, organically burping puddle of orange purple pink black lava, spewing fumes of sulphur (or is that lavender? patchouli?), continually giving birth to odd, original, quirky-yet-well-written children’s books. Yes, that explains it (or doesn’t). (I’ve posted this video before, but it’s worth starting 2015 with a laugh, as it’s often exactly how I am.) Ok, here goes with some “what I’m looking for” and what I’m not looking for…

1. Basically, I’m currently looking for unique, well-written children’s literature, from picture books through young adult, including both fiction and nonfiction.

2. For picture books, I like a strong voice, and when it’s funny, quirky and unusual. If you’re too didactic and teachy-preachy, it’s not for me. I don’t mind rhyme if it works for the story, but if you’re jamming your story into a rhyme scheme it’s not going to work, for the manuscript or for me. I’m looking for authors and author/illustrators. Also, I would never take on a new client who has only one picture book manuscript, so although you should only pitch one project at a time, make sure you have other things you can show me if I ask.

3. I like character-driven middle grade fiction with lots of action. I like middle grade mysteries, fantasy, scifi, realistic contemporary, historical, and when the lines between genres blur. Some recent middle grade books that I don’t represent but I wish I did: When You Reach Me by Rebecca Stead; Three Times Lucky by Sheila Turnage; Hook’s Revenge by Holly Schulz. I want you to make your middle grade characters relatable and knowable, or your awesome plot will feel hollow.

4. For YA sometimes it’s easier to tell you what I’m not looking for. I don’t like or read Gossip Girl or Pretty Little Liars kinds of books and I don’t like things that are scary or horror stories. I’m not into “gritty” or “urban.” I do not like “issue” books (i.e. rape, abuse, eating disorders, run-aways, drug abuse, bullying, etc) where that’s what the whole book is about. I don’t like romance or paranormal romance (although I do like when stories get romantic). Here are some things I do like though: I like realistic contemporary, fantasy, science fiction, mystery, historical, GLBTQ, literary, funny, serious, nonfiction, fiction, re-tellings, epistolary, novels in verse, and I’d take a collection of linked short stories (but otherwise I don’t represent short stories). In YA, make sure your teenaged characters are really teenagers, not what an adult thinks teenagers are like, not a whitewashed version of a teenager, not what you might wish a teenager were like, not a caricature of a teenager. If it doesn’t really read authentically teen, I’m not going to want it, I wouldn’t be able to sell it, and teenagers won’t read it.

5. Genres I don’t currently want, for any age (mostly because I can’t sell them): dystopian or post-apocalyptic, almost anything with vampires, demons, mermaids, genies, etc… unless (because there’s always an exception!) you’re bringing something totally new to it.

6. I’m on the lookout for stories with diverse characters written by diverse people. By diverse I mean ethnically, racially, socioeconomically, all across the gender and sexual orientation spectrum, with and without physical “handicaps,” and including any other kind of “other” one might think of or create. As always, I want to represent, read, and promote voices that don’t traditionally get heard.

7. I am specifically looking for manuscripts that are well written and readable. I want to get so lost in the experience of reading your story that I forget it’s a submission. What that means is that not only should your story be well written, but it should be super polished, almost perfect, without any typos, spelling or grammar errors, etc… It should be a page turner! I’m looking for manuscripts that don’t still need a ton of editorial work (even though I’m a very editorial agent).

To submit, send me a short, snappy, professional query letter with the first 20 pages of your manuscript in the body of your email. Don’t send me an email asking me if it’s ok to query. Don’t ask me in the comments section of this post whether <insert what you’re writing> would be something of interest to me. Put “Query” and the title of your manuscript in the subject line. Send it to QueryLindaEpstein (at) gmail (dot) com. That is my preferred email for queries, even though it’s not what is listed on my agency’s website (new website is under construction).

If you’re not sure whether you have something I’d like, do your research. I’m on Twitter, Facebook, have been interviewed, and have blogged enough here that you should be able to get a sense of who I am and what I’d like.

Ok, that’s it from me for the moment. I’m going to push that “publish” button on this blog post now…

 

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